Unbeknownst to him, his parents have had conversations with the good folks at the Adult Education School (AES). He’s been told he’ll be going abroad to a school he’s been accepted to. He hasn’t applied to this school himself, and he doesn’t recall taking the necessary tests to secure admission. 

On his scheduled day of departure, when he gets into a bike accident, he thinks it’s “Perfect.” The hospital patches him up, and he reluctantly makes his flight and gets to school. “Abandoned in prison,” are his words. 

This is the very opposite of what he had in mind for his life. This all-boys school is in a remote location in the American North-East where he is the only Bermudian. This sucks. 

But then, “Life accelerated.” He finds out he can skip study hall by having a minimum 3.0 GPA, so he achieves it in two weeks. A light bulb goes off. He is motivated, recognizing he is capable of being in control of his own life. He never looks back. 

This true story is the testimony of Dr Ernest Peets Jr, CFT, ICADC, current Chair of the Adult Education School, whose sole purpose is to assist youth, and adults, with their educational, career, and life aspirations. 

“Who I am today is largely a result of the AES being in orbit alongside caring adults guiding me as I needed it,” he confesses. As a pastor, former Minister in the Bermuda Government, and founder of MASC, his passion continues to benefit Bermuda. “AES…launched me, gave me what was necessary to propel me forward.” 

The AES continues to serve Bermuda today. Throughout their history they have assisted THOUSANDS of learners in reaching their goals. Building on their history, they strive to ensure their crucial role in the community will be available for the future as well. 

Founded in 1958 by Merle Brock Swan Williams, the school first developed a tutorial programme for adults, and established a college school and camp advisory service. It developed an individualized literacy and numeracy instruction model, as well as GED, and SAT preparation for adults. 

With a noteworthy staff of Ms Arlene Brock as Managing Director (her credentials and achievements are too many to list here), Mr Thaao Dill as the Director of Programming (ditto), alongside tutors, coordinators, and volunteers, the organization offers a ‘reimagined’ slate of courses, workshops, and certifications designed to meet the needs of the lifelong learner. 

What is the central lesson to be learned here? According to current student, Richard Bean, it’s that, “I should be myself. I don’t have to be afraid to be honest. I’m capable and I’m enough.” 

Noting the (lack of) durability of the Black institutions in Bermuda; one of the main reasons that Ms Brock returned to the island was because she felt that the services that the AES provides “Must continue.” There is still a need. 

Ms Brock emphasises, “By giving people an opportunity, we are developing capacity for Bermuda as a whole.” 

The school recently partnered with the Bermuda College in a mutual referral system, so fewer learners slip through the cracks. They also work with Bermuda Technical Institute Alumni to offer a CISCO networking certification. Meanwhile, job-hunting and interview prep skills are offered by international business partners. 

With upcoming workshops like ‘Who Cares for the Caregiver?’ and ‘Real Estate,’ the new ‘Three Pillars’ curriculum aims to assist those looking to further their academic studies, get promoted, and even find employment. 

Two innovative new programs aim to guide learners outside of their traditional environments, and expose them to people and places that they might not otherwise have been aware of. 

The first program, ‘Sharing Our Stories,’ is presented by alumni of the AES and the Bermuda College. Specifically geared towards 16-21 year olds; the alumni share their educational experiences alongside what led them to their current career path. The sessions provide the opportunity for insight and exploration into a variety of fields. 

The second program, ‘Behind the Scenes: How Bermuda Works’ involves groups of four students going into professional environments to gain exposure to worlds outside of their everyday lives. The AES is always looking to partner with organizations to make this a regular reality, so please contact them if your organization would be interested in hosting this service. 

What is their vision for the future? Dr Peets concludes; (1) Sustainable development, undergirded by financial and human resources. (2) To be a source of guidance regardless of the learner and their socio-economic background. (3) To have those who have been blessed to consider the school as a great place to give back to the community in a meaningful way. 

The post The Science of Ever-Changing Times appeared first on RG Magazines.

Being a tradition bearer is as intrinsic to Milton Hill Sr as breathing. 

Mr Hill spent his early years fishing off North Rock with his Uncle James (aka Jimmy Trott), before learning the art of shipwrighting from the likes of Rhodes Ratteray. 

Today, he continues his craft, producing models of the Sea Venture, the Bermuda Gig, the Bermuda Sloop, and even a special art piece commemorating modes of transportation from the Darrell’s Island Airport to the Bermuda Sloop; which can be seen on display at the Bermuda International Airport. More than anything, he is most passionate about passing on the traditions of a bygone era. 

The artist, who will be 80 in May, has witnessed the decline of many of Bermuda’s boats with the introduction of the automobile. 

Until the early 90s, most of the boats he built were fishing boats – he always had a spare in his yard, and one in the water. Then he and his son, Wali Hill, began creating string art. Soon they would sell their first collection, called The Teaser, to Bluck’s on Front Street – which was followed by Smith’s, Trimingham’s, and A.S. Coopers. 

Shows in Art Galleries would soon follow, as Mr Hill transferred his shipwrighting skills into miniature replica making. 

Over the years, Mr Hill has taught at almost every school, taking part in the Department of Community and Cultural Affairs’ Tradition Bearer’s programme – teaching promising art students like Ami Zanders and Tremaine Stovell, who would both become accomplished artists. 

Other students included Luke Smith, Nicholas Lara, Sarah Lagan, and Esmeralda Zanders who, when apprenticing with him, created the HMS Resolution, marking the life of pilot Jamie Darrell – which is now on display at the National Museum of Bermuda. 

Mr. Hill is currently teaching Whitney Institute Middle School students the art of shipwrighting. 

“We are making a Bermuda Dinghy, which is about ten feet long,” he said. “It will be laminated with plywood over oak frames.” 

The project, he disclosed, will even be seaworthy! 

“The average Bermuda Dinghy is 12 to 18 feet long and – although shorter, at ten feet – it is a good project for kids to learn the old-fashioned way of doing things.” 

Mr Hill is proud to be able to pass his skills on to Bermuda’s school students. 

“I have been to all the elementary and high schools to share this knowledge,” explained Mr. Hill. “Each group does something different. I allow youngsters to use their imagination. It is a plus in this electronic world, as they need something else to do with their hands to stimulate them.” 

The passing of this craft, and history, is very important. 

“It is necessary because Bermuda itself is responsible for what you see out here with regards to sailing and yachting and not many youngsters know this,” explained Mr. Hill. “For instance, the Bermuda Rig was the forerunner of yachts today. 

“The part Bermudians played in the development of the proper – or better yet – faster ways of sailing is nothing short of incredible. 

“The Bermuda Rig has a triangle sail, and whether it is the America’s Cup or whoever, everyone uses the sail that was first designed in Bermuda. 

“If we could get royalties for what our ancestors did it would be incredible!” 

Mr Hill is passionate about passing on this vital tradition. 

“The few shipwrights that were around are all gone now. The last one was Dockyard Apprentice Raymond DeShields, who built The Deliverance on Ordnance Island,” he concludes. “Others included Alfie Cann, Clifford Lee, the Soares brothers, Buddy DeSilva, the Baisdens, and so many St. David’s Islanders.” 

The post Righting the Ship appeared first on RG Magazines.

Founding member Shoa Wolfe (née Bean) cites her passion for the artistic process when speaking about what drives the company’s art. 

“Creating art that not only entertains, but also empowers and inspires the local community is a powerful and meaningful endeavor. Art has the unique ability to evoke emotions, tell stories, and bring people together. 

“The impact of art on a community is profound, fostering creativity, dialogue, and a shared sense of identity. Being able to witness the artistic process through to completion makes for a positive contribution to the cultural fabric of our local community.” 

Starting as students in the Bermuda Public School System, the primary personalities behind TROIKA were always deeply invested in the telling of black stories, and the upliftment of an historically oppressed community. 

As professional Producers, they don’t hesitate to pull new artists from the same well that they themselves emerged from so many years ago; which, in turn, imparts all of the life lessons they learned so well through the Arts. 

“Involving young people in the Arts is crucial for various reasons, as it contributes to their personal, social, and cognitive development. The Arts promote creativity and expression, critical thinking and problem-solving, confidence building, cultural awareness and appreciation; fosters better communication skills, encourages teamwork and collaboration, develops emotional intelligence, and creates a life-long appreciation for the Arts.” 

TROIKA also testifies that immersion into the Arts at a young age assists with community building, and opens the door for future career opportunities for our young people. 

The TROIKA Team is worthy of celebration for so many reasons. The kind of legacy that this group of artists is building does not come easy – it takes commitment and passion. Ms Wolfe, along with co-founder Seldon Woolridge, cite the assiduous behind the scenes work of the TROIKA Bermuda Executive Team as the fuel that keeps the gears grinding. 

“We’d like to take this moment to highlight a group of individuals whose dedication often goes unrecognized—the TROIKA Bermuda Executive Team. 

“Robyn Dowling, Chesney Robinson, and G’ané Everheart, as integral members of the Executive Team, bring diverse skills, commitment, and passion to our organization. 

“Their collective efforts behind the scenes, whether in strategic planning, logistical coordination, or fostering a supportive environment, are invaluable. It’s their hard work and dedication that allow us to bring quality, and impactful, productions to the stage.” 

Of course, TROIKA will always acknowledge the vital role their sponsors play in bringing their art to life. 

“We extend our heartfelt gratitude to every sponsor who has generously contributed, or partnered with TROIKA Bermuda over the years. Your unwavering support has played a crucial role in our ability to bring quality and impactful works of art to the Bermuda community, and beyond.” 

But how about the actual art – the tangible works of legendary storytelling that TROIKA has blessed the Bermuda public with over the years? 

Ms Wolfe – like many – finds it virtually impossible to think of a standout TROIKA Production. 

“I find it challenging to pinpoint a single project that I am most proud of, as each one has been a distinct pleasure, and a unique experience to produce. From our original works, such as ‘Ammunition,’ ‘H.I.S.T.O.R.Y.,’ and ‘Misunderstood;’ to our ventures into professional productions like ‘Once On This Island,’ ‘Beauty and the Beast,’ ‘The Color Purple,’ and ‘Sarafina!’ – each holds a special place in my heart. 

“Every project, with its own set of challenges and triumphs, has contributed to my growth and passion for the craft. Witnessing our 10th Anniversary show was particularly rewarding, offering a moment of reflection on the artistic journey we’ve undertaken over the years. It served as a poignant reminder of the collective efforts, creativity, and dedication poured into each production. 

“In essence, each project has been a chapter in a rich narrative, contributing to a tapestry of experiences that make the creative journey so fulfilling and memorable.” 

Memorable is right! If you’ve had the distinct pleasure of experiencing a TROIKA Production, then you will certainly have memories attached to the experience – their works are routinely stunning, world-class pieces of performance Art. 

Their latest offering – ‘Sarafina!’ – recently wrapped up a critically and popularly acclaimed run, and Ms Wolfe shared her thoughts on that masterpiece. 

“Sarafina! held a special place in my childhood, and within the black community, making the opportunity to bring it to a Bermuda audience both humbling and deeply gratifying. The film was a staple in our cultural landscape, and being able to share it locally felt like a meaningful contribution. 

“What made the experience truly special was witnessing the growth and evolution of the cast. Working with Bermudian actors who embraced the story, and then seeing them transform into African natives, fully immersing themselves in the narrative, was an absolute pleasure. It demonstrated not only their artistic commitment, but also the power of storytelling to transcend borders and connect with diverse audiences.” 

Having established their unique status in Bermuda’s Performance Art Pantheon, TROIKA expects to keep creating well into the future – which is amazing news for local art lovers, and young performers alike. 

“We are enthusiastic about the future of TROIKA Bermuda, anticipating the continued delivery of high-quality and professional works of art to both the Bermuda and international stages. Our excitement stems from a deep belief in the transformative power of the Arts and the unique contributions that TROIKA can make to the cultural landscape. 

“The TROIKA program pillars, including the ‘Work in Progress’ initiative, the ‘Master Class & Workshop Series,’ the ‘FYE: Young Choreographers Showcase,’ and ‘ASCEND: Youth Talent Project’ are integral to our mission. These initiatives not only contribute to the growth and enrichment of our current team, but also provide platforms for up-and-coming Bermudian artists. 

“We eagerly look forward to collaborating with emerging talents, fostering creativity, and providing opportunities for young artists to showcase their skills. TROIKA will continue to be a hub for artistic development, mentorship, and the realization of creative aspirations.” 

The post A Passion for Freedom! appeared first on RG Magazines.

Education is key to advancing the Bermudian narrative. History moves at the speed of math, and that’s not just hyperbole – so organizations like Planet Math are indeed vital parts of the vast tapestry of Bermudian history. 

Planet Math is a company that started out in St. George’s in 2016. Mr. Sergio Pitcher, the owner and driving force behind Planet Math, shared the philosophy behind his fledgling venture: 

“Math is everywhere, and math is vital for everyone! But unfortunately, it has been – undeservedly – given a bad reputation over the years. As educators and lovers of mathematics, we saw that too many students either didn’t like math, or had some form of math anxiety. 

“For this reason, we found it crucial to create an organization that helps people to change their mind-sets towards mathematics.” 

When asked how the Clinic works, Mr. Pitcher proudly asserts that they offer various programs at Planet Math to reach the community in many ways. 

“For example, we engage the public directly with our weekly radio quiz on Vibe103 – every Tuesday and Friday morning at 7:45; a project done in conjunction with the Road Safety Council. 

“On the show, we ask two math questions, one for adults and one for children – based on road safety. This has been going on for a few years now, and it keeps math at the forefront of people’s minds.” 

Planet Math also engages children by bringing programs to various schools, such as their Financial Literacy program, which is delivered in partnership with HSBC. Their Math-a-Thon – which takes them to every primary and middle school with a fun math contest – is something that the students absolutely love. 

Of course, Planet Math offers math tutorials for people of all ages, and helps adults and children prepare for various exams. They have recently added an after-school program, where students have fun while learning math. 

Perhaps their most popular program is their Math Camps. During camp, they provide math instruction every day, but they also include STEM, and various art projects as well. In addition, they provide breakfast and lunch at camps, and do a wide variety of field trips all over Bermuda, so that students can learn about their island home. 

The Planet Math Team has raised funds for over 440 students to attend their camps – at no direct cost to parents – over the past two years. As if that wasn’t enough, one-to-one tutoring is also available. This can be done in person or on-line. For further information on this, write to [email protected]. 

Asked how to offset a negative vibe, which some students may have with math, Mr. Pitcher responds, 

“If a student has a negative attitude towards the work, they will generally not put in the effort that is required. We tell students to take a breath and relax a bit. Next, students that are feeling this way should get regular tutorial assistance. Tutoring breaks a topic down to its components and is paced at a rate that is individualized for the student. As with anything, practice, practice, practice, and realization of the topic will be earned.” 

For some, Math can be a very scary four-letter-word. Planet Math has been a miracle for many Bermudians who find the discipline anxiety-inducing – whether they be little, or grown! 

In closing, Mr. Pitcher acknowledges the donors who have provided funds for students to attend camp at no cost – a blessing he describes as, “Huge!” Donors provided online math lessons and activity books during lockdown to ensure that school-aged children could continue honing those math skills that may have otherwise been lost. 

Planet Math is all about recovering what is lost, and taking that next step toward freedom – a highly valued commodity for those who keep their eyes on the prize! 

The post Moving at the Speed of Math appeared first on RG Magazines.

In the wake of global social justice movements, Bermuda has witnessed its own wave of change, particularly following the Black Lives Matter (BLM) March. This pivotal event not only marked a significant moment in the island’s history, but also set the stage for a deeper exploration of racial equity and restorative practices. 

The BLM March in Bermuda: A Catalyst for Change 

The BLM March in Bermuda, ignited by the tragic murder of George Floyd in the USA, was a monumental event. It drew one of the biggest crowds Bermuda has experienced during a march – highlighting the island’s solidarity with global movements against racial injustice. 

However, as Cordell Riley points out, the event’s aftermath raises questions about the sustainability of such movements. He noted the irony of witnessing white participants chanting against white supremacy, wondering whether these sentiments were lasting feelings, or a momentary lapse. 

Stacey-Lee Williams, who also attended the march, expressed a sense of pride in seeing the community, including students and faculty from the school where she was working, come together in solidarity with the black Bermudians who were marching for a better Bermuda. She emphasized that while the march brought attention to racial issues, the challenge lay in sustaining this progress – a task CURB has been committed to for almost twenty years. 

Integrating Dialogue with Action Post-March 

The dynamic energy of the BLM March brought attention to racial injustice, but it also highlighted a vital truth: real change requires more than just chanting and marching. Real change demands continued dialogue and action, a principle that CURB embodies through its commitment to Restorative Practice. 

The conversation must be ongoing, and engage all relevant parties; and listening is just as essential as speaking. Ms Williams highlights the role of active listening in CURB’s Truth and Reconciliation Community Conversations (TRCC), which are fundamental in resolving racially charged situations. These talks, grounded in Restorative Practice, create an environment where diverse groups can engage in honest, transformative dialogues. It is a process that goes beyond the immediate energy of public demonstrations, focusing instead on sustained, meaningful interaction, and understanding. 

Mr Riley recounts CURB’s journey with Restorative Practice, beginning with their participation in a World Congress Symposium, and subsequent training at Queen’s University. These experiences reinforced their conviction that Bermuda, with its close-knit community and small population, is an ideal setting to demonstrate the effectiveness of Restorative Practice. 

In the aftermath of the BLM March, CURB’s role in fostering dialogue and understanding became even more crucial. Marches can spark awareness, but lasting change is nurtured through continued, in-depth conversations and collaborative actions. 

As Bermuda moves forward from the heightened awareness created by the BLM March, the need for racial justice organizations to work together with the community becomes increasingly clear. There is a need, a longing, for certain voices to be heard, and for others to be accepted. 

This approach ensures that the momentum from the march is not lost, but instead transformed into a sustained effort towards racial equality and justice. 

Challenges and Opportunities in Integrating Restorative Practices 

Integrating Restorative Practice into movements like BLM presents unique challenges and opportunities. The primary challenge, as Mr. Riley and Ms. Williams note, is securing community buy-in, especially when confronting deep-seated anger and frustrations stemming from historical injustices. 

However, they see a significant opportunity for the conceptual purview of Restorative Practice to transform the short-term effects of organized protests into meaningful, sustainable, long-term change. 

CURB’s aspiration to transform Bermuda into a fully restorative country reflects their commitment to this cause, and their belief that Restorative Practice truly works. Many of CURB’s upcoming restorative-oriented events and initiatives focus on highlighting the impacts of social issues, like gang violence, through art and personal testimonies. These efforts aim to re-sensitize the community to these issues – while also actively unravelling the crippling desensitization that Bermuda has suffered from – and propel them into action. 

Sustaining the Momentum Beyond the March 

The BLM March marked a profound moment in Bermuda’s fight for racial justice. It rallied the community, sparking vital conversations and heightened awareness about entrenched racial injustices. However, the apparent dormancy of the BLM Bermuda movement underscores a critical challenge in social justice efforts: ensuring continuity and long-term impact. 

While the march was successful in mobilizing Bermudians around an essential cause, the real test lies in maintaining this momentum. This is where racial justice organizations step in, playing a pivotal role in continuing the work initiated by the march. The fleeting presence of proletarian organizations like BLM Bermuda, and the Free Democratic Movement (FDM) is frustratingly indicative of a common hurdle in grassroots activism: sustaining the drive for change and translating immediate reactions into lasting reforms. 

To be fair, the legacy of the BLM March has transcended a single day of solidarity. It has kindled a continuing journey towards racial justice, with social justice organizations ensuring that the conversation not only persists, but also moves toward systemic change that will make lasting, real-world impact. 

The BLM March may have concluded, but the path towards a restorative Bermuda, where equality and justice are not just ideals, but realities, continues. Topics like the reparations debate, social injustice, the glass ceiling, the existence of ‘two Bermudas,’ white privilege, and much more that were once taboo within these shores can be openly broached now – and that is due in no small part to monumental events like the BLM March. 

This journey is, therefore, emblematic of a broader movement, echoing the call for continuous action in the pursuit of racial equality. So, while the march is now a note in history, its ripples will continue to echo into a new Bermudian reality. 

The post The Legacy of the Black Lives Matter March appeared first on RG Magazines.

Decades later, and it feels like we’ve come through the worst of the – overwhelmingly – black-on-black violence that threatened to rip this island nation to shreds at certain points along the way. 

Our deliverance has been fuelled, in significant ways, by Pastor Leroy Bean and his Anti-Gang Task Force. Working in collaboration with other local frontline agencies, Pastor Bean and his team have moved mountains to help families, preserve peace, and save lives. 

His story, however, began long before he was appointed to any government post. 

“My journey to reduce gang violence started long before 2017. As a matter of fact, it began over two decades ago. After reflecting on my upbringing, I noticed the disparities that were experienced by many Black families, which had existed for hundreds of years. After losing my maternal grandfather at the age of 14, with whom my family lived, I began the thrust to become an advocate to reverse the trend of violence – whether it be gang-related or otherwise.” 

Violence has always been a part of the black experience in the West – so reversing the trend of violence is something we should all be mindful of. Pastor bean expounds on why victories along the way can be fleeting at best, and hollow at worst: 

“While there have been many notable milestones that range from individuals launching into their personal goals and visions, to seeing gang violence being reduced from October 2017 to our present time; I wouldn’t necessarily refer to them as successes, because I believe that one murder is one murder too much. However, the steps that have been taken by the gang task force have created – and will continue to help create – a foundation to combat this epidemic called gang violence in the future.” 

Currently, Pastor Bean and his team oversee many programs designed to alleviate the strain that gang violence puts on society – programs conducted in local schools daily. These programs, along with a few other ‘pillars,’ characterize the work that Pastor Bean and his team does. 

“The work for the Gang Violence Reduction Team (GVRT) entails four main pillars: The first is prevention, which involves preventative mechanisms to educate young and old about the pros and cons of antisocial behaviour. It is also comprised of support groups within the primary and middle schools through our ‘I am’ Program. 

“Restorative Justice sessions are regularly held within the high schools, along with one-on-one personal counselling. The Redemption Program also plays a very important part in dealing with therapeutic aspects of work disciplines, financial planning, and life skills – which are critical in many of these young people’s lives. The high school work program is eight weeks during the summer, along with daily visits to the primary, middle, and high schools. This allows us to do periodic checks to ascertain the general pulses of individual clients. 

“The second pillar is the intervention aspect, which is typically used when individuals find themselves in a conflict, and need immediate therapeutic intervention. At times it can involve having to remove certain individuals from their various environments. 

“The third pillar, negotiation, is also used when it is deemed necessary. This may entail coming to an agreement that is amicable, and that suits all the parties. 

“The last pillar is relocation. This normally involves helping individuals to get off-island to start a new life. I must emphasize, that this is not protective custody, but is a relocation to increase hope for a better future, within individuals. The GVRT is made up of four team members who touch base with numerous individuals for a total of approximately 1,500 contacts per month.” 

Keeping in touch with families and individuals who are at risk is not an easy task, so it’s vital that Pastor Bean has a team he knows he can trust. Lives, after all, are literally at stake. 

“One of the things I’m extremely proud of is having a dedicated team that has an altruistic spirit, and works endlessly for the Island of Bermuda. Each one brings a personal skillset that assists in meeting the needs of the individuals with whom we work. I would personally like to thank Darren Woods, Bishop Lynn Landy, and Cadre Smith for their hard work.” 

Humble, unassuming, and very approachable, Pastor Bean eschews the arrogance of politicians, choosing instead to focus his considerable talent and energy on those who need it the most. 

“I believe my personal place in Bermuda is to be an advocate – to bring about change – for the downtrodden, and those who have been disadvantaged. This, I believe, means raising a standard that rises above political agendas to tackle the systemic roots that have plagued the people of Bermuda since its inception.” 

Standing on principle, justice, and love, Pastor Bean rejects the politicization of violence in any form. 

“I believe the time for self-aggrandizing must stop. The political games must stop. The self-serving deals cannot go on anymore if we are to see true change for our current generation and the ones to come. Gang violence cannot be politicized. We cannot capitalize on the disenfranchised. We must address the systemic root. 

“My recent book, Gang Violence is By Design: Exposing the Lie, speaks to these systemic issues. While the book itself might make some feel uncomfortable, if they truly embrace the truths, it will bring equality and justice for all those who find themselves under this Mephistophelian system.” 

Pastor Bean seems to live the old axiom, “In serving one another, we become free,” every day. He serves to protect life, give hope, and reverse centuries old trends that were learned well during slavery. In this endeavour, Pastor bean and his team move outside the schemes, machinations, and illusions of politicians – and live in the hearts of countless generations their efforts will bring forth. 

The post Bring to Simmer appeared first on RG Magazines.

Bermudian Historian, Dr Kristy Warren, first came across merchant marine Charles Wotten through Dr Gemma Romain, author of Connecting Histories. 

As part of Dr Romain’s PhD, she looked at the 1919 racist riots in England, which broke out in port cities such as London, Cardiff, and Liverpool, and mostly targeted black people. 

In 2018, upon closer examination of the riots, Dr Warren learned that one of the victims of the 1919 racist uprisings was a Bermudian. Charles Wotten, who had served in the Merchant Navy during the First World War, was stoned to death during the riots – as Police watched! 

Finding this story too compelling to ignore, Dr Warren pursued a research grant so she could delve into the case further. She soon secured the British Academy Leverhulme Small Research Grant, which enabled her to hire two Bermudian researchers, Chynna Trott, Curatorial Assistant of the National Museum of Bermuda, and Jaylen Simons, a King’s College student at the time (and currently at Cambridge). 

Dr Warren had initially planned to write something modest about Mr Wotten, but soon discovered that the Charles Wootton College of Further Education opened in Liverpool in the 1970s, and the school put an engraved headstone on his previously unmarked grave in 1989. Also, in 2016, a plaque was erected on the Liverpool dock where Charles was killed as he was trying to get out of the water in 1919. 

Through the Bermuda archives, Dr Warren learned that the surname, ‘Wotten’ was no longer present on the Island. Records of Mr Wotten’s parents, siblings, and descendants did exist though; as did a birth registration, and ships’ logs that he traveled on – which she found in various other archives outside Bermuda. 

“A lot of our work is about reclaiming and thinking about black lives that often don’t get acknowledged for a range of reasons,” she said. “The coroner wasn’t interested in his life. So, we have this really horrible moment in history, and it’s something that happened to a Bermudian. 

“I wanted to know who he was, as a counter to this idea that his life was disposable – wasn’t worth anything to these people. That’s what horrified me.” 

Of course, the records are never 100% complete – even in the national archives. 

“This was a working-class black man at the turn of the 20th century,” she said. “There’s a tranche of records that we would have been able to use, but it’s spread across three different countries, so we’ve had to triangulate records, piece together what we can – and it’s still only partial!” 

Having found what they could on Mr Wotten, Dr. Warren and her team continued to explore turn-of-the-century Bermudian merchant mariners – but information was scarce. 

Reverend John William Deshield, who was born in the 1860s and died in the 1960s, provided the only testimony on being a sailor that could be found – in an article published in The Recorder to commemorate him turning 100. The article was shared with Dr Warren by Mr Deshield’s granddaughter, Sharon Swan. 

“It’s only a paragraph or two, but that’s so much more than we have for most people,” Dr Warren reflects. 

“This thing about trying to trace people across space and time – that’s my thing,” Dr Warren asserts. “Different types of people, different time periods, and thinking about – not just how we’re related by blood, but how these experiences as Bermudians unite us. 

“These men are part of all of our history. They’re the people that have gone quietly through their lives, making sure that goods reach us, making sure their families stay fed. I’d like them to be centered. I do lots of different types of histories, but this has been an amazing way to think about how connected our histories are.” 

The post Making Connections Through Time appeared first on RG Magazines.

An iconic artist once uttered: “God bless the child, that’s got his own …” Now, pronouns aside – which we must acknowledge in our new reality – the world moves much smoother when young people learn what it means to be accountable, and responsible, at an early age.

Another iconic artist once uttered: “I believe the children are our future. Teach them well, and let them lead the way …” This, is where Bermuda Youth Connect (BYC) enters the narrative. Four young ladies who have been – clearly – taught well, taking the accountability that comes part and parcel with leading the way for their generation of future leaders, builders, and innovators.

Speaking as a collective, the group breaks down their political philosophy, goals, and desired outcome of their efforts in Bermuda’s often hard-edged political arena:

“Bermuda Youth Connect is a Youth Organization created to increase civic engagement among young Bermudians. We are not affiliated with any political party, and our mission is to bridge the gap between Bermuda’s leaders and young people. We also strive to create digital platforms that work to empower young people to be active agents of change.

“We all have various political leanings, beliefs and attitudes, so we leverage our platform to inform, educate, and spread awareness of a broad range of perspectives and ideologies. Our guiding light as an organization is building a better future for Bermuda’s youth.  Young people should have been taught to care about the politics and future of our island, yet there is a huge gap, which makes the future uncertain. We’re working to change that.

“We believe that youth engagement and political awareness are key to a successful democracy. Young people are innovative, disruptive brokers of change; they offer a valuable perspective to understanding issues on our island, and solutions to solve them.”

It’s telling that these ladies avoided exposing any specific political leaning in these statements, instead choosing to cite “various political leanings, beliefs, and attitudes” – and brilliantly leaving room for growth as they mature into whatever political force they choose to become.

Whatever they do become, rest assured that Bermuda will be better for it. They’ve already made a splash on Bermuda’s political scene – entering the arena at a time of historic uncertainty, and demanding that the Youth Voice be heard!

“Bermuda Youth Connect was formed during the historic snap election of 2020. We worked diligently to produce Bermuda’s first-ever Pre-Election Leaders Forum, which was unprecedented.

“At that particular time, there was a need for Bermuda’s voting population, especially youth voters, to have access to an unbiased and informative platform to share the ideologies and goals of each party. This was especially needed since the newly founded party, the FDM, was formed and unfamiliar to the public.

“Since then, we have expanded our organization through work with key stakeholders in the community, charities, and the Bermuda Government, to be a voice for Bermuda’s youth.”

Young voices tend to be informed by ideas that come from all over – especially since the advent of social media, and the often overwhelming deluge of news reports we are all bombarded with hourly. Speaking on their own political influences, they leave space for growth again:

“We don’t have any formal political mentors. We’ve collaborated with a lot of people in the media space, including Qian Dickinson, Déjon Simmons, and Jamel Hardtman. As four Black girls, we are often criticized for being so vocal, so we’re always appreciative of people who remain open and supportive.”

There’s no doubt that these four young ladies form a very impressive ensemble, but they certainly don’t lose a lot of luster individually either!

Currently serving as the Marketing Coordinator for BYC, Veronica Swan-DeGraff holds a Bachelor of Science in Biomedical Sciences from AdventHealth University. She is currently pursuing a degree in Medicine, and has a passion for public health – evidenced further by her service on the DailyMale Health clinic team.

Ajai Peets is a recent graduate of Mount Saint Vincent University, where she obtained a BA in Child and Youth Study. She is currently working as a para-eductor in the Bermuda Public School System, and has consulted on a variety of community and Government working groups and projects.

Halle Teart obtained her Bachelor’s degree in Sociology and Africana Studies at Johns Hopkins University in 2022. Since then, Halle has pursued a career in consulting; where she develops solutions to complex issues facing the public sector. Halle has supported a wide-range of clients from the U.S. state, civil, and federal government, to international non-profit organizations.

Tierrai Tull is a senior at the University of Toronto, studying political science. She is Bermuda’s 2024 Rhodes Scholar-Elect, and is headed to the University of Oxford in the fall. She is passionate about Gender Affairs in Bermuda.

So … they assemble to form Bermuda’s Young Avengers then … Wow!

Aside from being hard at work building their own individual legacies, BYC is also gearing up to continue the stellar work they started in 2020, by bringing a host of activities and events to Bermuda this summer, all aimed at mobilizing youth engagement, and politicization.

“We are looking forward to returning to the island in the summer and hosting in-person events for young people to engage with their community, and political leaders. We are also in the process of preparing for the second season of our podcast, BYC Off the Record, and the second iteration of our FaceTime series on Instagram Live.”

Of course, their work won’t be confined to the time-constraints of summer 2024 – the work will go on!

“In the next two years, we look forward to advocating for a General election debate. In the long term, and as we continue to get older, we want to maintain BYC as an organization that represents the interests of young people in Bermuda. As such, we hope to create more opportunities for young people to get directly involved in our work, and provide the tools for others to mobilize and advocate for change to improve our community.”

The passion and determination with which these ladies speak is inspiring – it can make any politically-inclined citizen get goosebumps at times, and beam with pride at others. But, what about 20 years down the road?

“As a three-year-old organization, we are still in our infancy, and we have so much planned … for our future. We have mapped out our plans for this upcoming year, and are looking forward to those future projects. We are currently in the process of establishing the building blocks of our organization, which we hope will be a firm foundation that will last for 20 years. By that time, we intend to have passed the mantle on to the next generation of young people, to carry out this important task.”

Focused, motivated, and determined to affect positive change for the youth – and, by extension, all – of Bermuda, BYC is on the move! All that’s left for us to do is to continue teaching them well … and let them lead the way.

The post God Bless the Child – The Burgeoning Voice of Bermuda Youth Connect appeared first on RG Magazines.

Andra was the first host of the seminal Flow Sunday Open Mic event, which ushered in a generational love of words, truth, and self-empowerment. Alan wrote tangible art – the kind of art that moves things. Both are legendary, formidable poets, and are long overdue their flowers as creators of an unflinching counter-culture of speaking one’s personal truth in the face of a caustically conservative Bermudian gaze.

Alan cites his love of English Literature during his days at Saltus Grammar Secondary School as “most instrumental in impressing upon me the power of words, and the potential of words to move others by presenting one’s unique point of view.”

His voice didn’t truly break free, however, until a happy mishap at work occurred:

“When I left Saltus and went out into the workforce, one of my jobs was to order computer books and software for one of the companies I worked at. A mis-shipped copy of a book containing some of Edgar Allan Poe’s work arrived one day. One of the poems, Alone, profoundly affected me. It spoke with such specificity to my own feelings of isolation and otherness that it was pivotal in emboldening me to feel comfortable with sharing the writing that I was already doing – only for myself.”

The caustically conservative Bermudian gaze would play its part too:

“At that time, as a wild-club-culture young man, dressing flamboyantly, and dancing with abandon – despite my obsession with fitness, and aversion to ingesting most mind-altering substances – I would say that underground culture, and the bleaker aspects of Bermudian life most informed my voice. I had also been raised in the church, so religion, the occult, and horror were repeated elements of my imagery.”

Meanwhile, Andra was becoming phenomenal through family, and school:

“I was influenced first by storytelling; I had an older brother who would read to me, or tell me bedtime stories. This was alongside my mother, who used dance to tell stories – she encouraged movement to her collection of instrumental African music records. She would improvise stories, and I would act them out in dance.

“A little bit later my mom encouraged me to write by challenging me to write poetry verses from words selected out of a hat. Later, this love of words was solidified by teachers at Berkeley, who used poetry to inspire us.”

His first love was storytelling; a skill indelibly rooted in Bermudian culture:

“Culturally, Bermudians love a storyteller – and telling stories! Listen to how we communicate on the streets, at home – we relay stories to each other, and this tells us all the information we need about each other if we read carefully between the words.”

By the late 1990s, Andra was ready to start a revolution of words in Bermuda – Flow Sunday was his first stage:

“The formation of Flow Sunday came about through a series of coincidences. I had returned from studying and living in Canada in 1997, where I had been for two years establishing myself in the Toronto spoken word scene as part of a band called Stumblin’ Tongues. When I had returned, I wanted to create a space to perform like the ones I had experienced many times in Canada. A friend of mine told me that there was a deejay on the Island who was looking to do the same thing for poets and musicians – Beatnik Rubaine. Beatnik and I met, along with Suzanne Mayall, who added her pragmatism and organizational skills to the mix.

“Beatnik and I became the face of it (Deejay and Host), with Suzanne as producer. As Flow Sunday grew increasingly successful, Alan C. Smith, Milton Repose, and Kim Dismont-Robinson joined the production team.

“From the first night of Flow Sunday, the tiny room behind Coconut Rock was filled to the brim. What set us apart from previous open mic events in Bermuda was that we encouraged an uncensored stage. Nothing was off the table: sex and sexuality, politics, social critique, pain and pleasure. My role as host was to invite the readers in, and give them permission to express who they truly were.”

Alan recounts his own role in the nurturing of Flow:

“Beatnik Rubaine did approach me about an open mic event that he wanted to create, but I, introverted and shy as a public speaker, never contacted him. When I became involved with Flow, it was already created – emceed by the incomparable Andra Simons. I believe I was the first person invited to present an extended spoken word set, which I performed in costume. When I did join the Flow team, I was more of an admin, and behind the scenes fixture, getting behind the mic only to perform.”

Alan Smith performances have always been special; full of visceral imagery, sumptuous wordplay, and thoroughly thrilling rhythms – his poetry is music, and he sings with every utterance. Especially when he reflects on his favourite aspects of Bermudian culture:

“What I love most about Bermuda are the people. They can be problematic, but they are genuine, friendly, tolerant and – mostly – well meaning. … A close second would be the inescapable, and gorgeous, sea. It is indeed part of our culture. It informs who we are.”

Andra admires the way our culture infuses metaphor into everyday life:

“My favourite part of Bermuda Culture is how we understand time: high tide and low tide in the day. Summer starts from May 24th (the day you will venture into the water), or hurricane season.

“That the home – especially the kitchen – is where the business of living happens; friends and loved ones communing with each other. Also, our innate confidence. We may come from a tiny collection of rocks, in a vast ocean – probably not visible from the moon – but we know our worth! Our bodies and minds are just as valid as anyone else’s, and we are not afraid to let you know that.”

The post Icons of the Open Mic appeared first on RG Magazines.

Talking to Gavin ‘Djata’ Smith is like trying to cram all the episodes of How I Met Your Mother into a one-hour watch session. As a cofounder of Chewstick Neo Griot Movement, there’s a lot of history to share.

“As a young boy, I followed my daddy around, as he was a promoter,” Gavin recalls. “I remember going to Clayhouse, Spinning wheel, the hotel circuit…Hubie’s Bar to check out the jazz scene, Leopard’s Club, etc. A big memory was seeing Smokey Robinson perform at Southampton Princess.”

These experiences afforded Mr Smith ample opportunity to meet up-and-coming artists, as well as already established personalities. So, soon enough, Gavin was influential in creating Bermuda’s first rap show, Rap on the Rock in the early 1990s. That show featured international artists like Naughty by Nature, Heather B, and a young Busta Rhymes, among many others.

Gavin perks up when he shares, “I remember being squeezed up in the car next to Busta Rhymes, who was hype from then! Big stars weren’t so big, to me.”

As a teen, he got to participate in an international student talent revue/showcase with “… students who weren’t that much bigger than me – they were reachable. I saw different levels of what was possible in arts and entertainment, and it impacted me a lot.”

Another major influence in Gavin’s life was the Youth-to-Youth programme. Ayo Johnson was one of Gavin’s mentors. “I got used to talking in front of people,” explains Gavin. “I got to know what happens for TV production, and what it takes to run a show – and other forms of entertainment.”

In terms of his academic education, Gavin transferred to The Berkeley Institute from Saltus, where, “…the Black boys hung together tighter.” Friends Daniel Frith and Haile Outerbridge were part of Gavin’s life from then. Gavin confesses that he has always wanted to be a singer, so it’s no wonder that, at Berkeley, he sparked a relationship with Tyrone Iris, who Gavin describes as having a “beautiful, natural, incredible, soulful voice”.

Gavin would always big up Tyrone, but Tyrone was adamant that there was nowhere to perform in Bermuda. “That conversation became quite pivotal,” Gavin recollects. “I asked him, if I found a place, would you do it? Yes? Okay. Challenge accepted!”

Soon, Gavin met Roddy ‘Rowdy Piper’ Nesbitt, through Camp Lovejoy, and Roddy’s talent for rap and freestyling quickly came to light. “He killed it!” Gavin exclaims enthusiastically.

Jonathan ‘JT’ Talbot was another mentor to Gavin at this time. As a hip-hop enthusiast himself, JT wanted to create a label and get Bermudian artists signed; with a view toward international recognition.

So, according to Gavin, “a bunch of young, hungry guys” formed the foundation of what Chewstick would become. Justin ‘Kofi’ Whitter joined in, along with Owen ‘Omega 9’ Millett, another friend.

“Despite seeing how far it could go,” Gavin emphasizes, “one of my bigger concerns was doing it at a high level, and not just ‘making it.’

“Every spare moment we had we were making music, practicing, performing at talent shows, waiting for an opportunity to come.” That’s where the footage at the beginning of this article comes from. “We were the top young performers at the time, pioneering, and breaking new ground,” Gavin asserts, with confidence.

There’s so much to share about this journey that I’m just going to list some building blocks to the structure that became Chewstick, and you can ask Gavin about them whenever you see him.

The Jack the Rapper Conference. Boarding school in Vermont. College breaks with Najib Chentouf. Ben Harper. Being gifted a guitar by a girlfriend. Flow Sunday. Nenu Letu.

It was the fall of 2002 where it was like “Voltron, Unite!” for the crew. They wanted Chewstick to be, “A safe space for emerging talent, for people to connect, learn, and grow. A true representation of Bermuda culture. Something that wasn’t being done anywhere else.”

Chewstick launched officially in 2003, and it started breaking down barriers within the community. “Arts and entertainment are some of the best ways to build bridges in the community,” Gavin is convinced. “The us-and-thems get to meet, and build relationships.”

This year marks 20 years for the group. One of their famous, fabulous retreats is planned for this year, so watch this space. They are also hosting monthly open mic sessions at the Blue Waters Angler’s Club on Front Street – the last Sunday of every month.

For those who have been waiting for it, on Sunday, February 26th, Mr Gavin Smith himself will, once again, be hosting the session.

“Chewstick is a part of the natural progression of things,” Gavin humbly acknowledges. “Clayhouse, Musicians’ Club, Hubie’s – they were all a critical part of the evolution of the arts and entertainment scene. What Chewstick became was a mashup of all those things into one sacred space.

“It’s a community thing. It has changed our culture and reinforced our identity. I would reckon that a big part of a lot of people’s networks are a result of the Chewstick community.”

Chewstick has indeed been both a launching pad, and a safe space for many Bermudian artists. Bermudian Poet and graphic artist extraordinaire, Stephan Johnstone, shares his thoughts on the importance of Chewstick to Bermuda, and Bermudian artists:

“Chewstick is the only place here – at this time period in Bermuda History – that promotes 100% free expression. It is the only place that has a consistent open mic, and the only collective that has a history and a story that runs so deep. Bermuda needs Chewstick to foster young artists, and to give our people a platform to share and express themselves in an environment that is encouraging and welcoming to all.”

Chew on, crew, chew on!

The post Freedom. Truth. Love. Peace. appeared first on RG Magazines.